Danny (Mike Faist) is a would-be journalist who is interviewing Kathy (Jodie Comer) who is married to Benny (Austin Butler) who is a member of the "Valdals". They are a motor cycle club run by Johnny (Tom Hardy) with an almost masonic approach to looking out for each other. She takes us back to how they met, and of her nervousness about mixing with this outwardly aggressive fraternity, but as she gets to know them and they her, she begins to understand they are no threat, and that in many ways are all the family the others will have/need. As time moves on, though, the "Vandals" become a victim of their own success and a proliferation of chapels emerges, introducing a younger more venal and violent element to challenge the existing status quo. Using the stresses and strains of their relationship as a bedrock for the chronology, we follow the ups and downs of this disparate gang and their leader. Sadly, this isn't really a film that catches fire. It's based on real characters, and upon the book written by Danny Lyon, but "The Wild One" (1953) it isn't. It's often as if we are just a small fly on the wall observing their day to day routines and dependencies, but we never really get to know the characters. Comer does fine, but she really serves as little better than the narrator rather than an impassioned character increasingly concerned for her husband's wellbeing. There's also precious little dialogue from either Butler or Hardy and the rigid structure of the drama makes it quite hard to empathise with any of them, really. There is also a dearth of action here. For all the bikes, leather and testosterone we are left with just one or two scenes that raise the pulse a little - and they have been well exploited already in the trailing for the film. It's a good looking film but after all the hype, I was a bit disappointed with it's shallowness.

It’s a bit light on story, but <i>‘The Bikeriders’</i> is a film I enjoyed. The stellar cast list is probably the main reason, because everyone onscreen do great work. Austin Butler and Jodie Comer are the obvious standouts as leads, both are good value throughout; even if the latter’s accent is slightly grating at a few moments. Tom Hardy is, as always, terrific too, while it was awesome to see Norman Reedus appear. As noted, I do think there’s just barely enough there for a movie - it is a plot that is stretched as far as it could possibly be. It is all shot well and all that, the bikes look and sound ace. I also like how the film wraps up. All in all, it’s very good and most certainly worth a watch.

Unwatchable. This is one of those new Hollywood movies where they've hired a blind person to shoot and/or edit the footage. Some kind of "equity" thing. Or "inclusion." Either way, you can't see a thing. It's dark as a nursery. I think there's a guy in the beginning in a bar, but it might be a church or a forest with some kind of table. He or she gets into a brawl and I think they take it outside, because it's like there's sunshine, except it's a 5-watt sun. Could be the basement actually. Not sure. Bottom line. Save your money. It's just two hours in an unlit basement. Literally nothing to see here, folks.