There are two really engaging performances on offer here as Ethan Herisse and Brandon Wilson deliver a powerful indictment of a Florida school for boys. Induced there with promises of innovative educational practices and no exorbitant fees, these lads arrive to discover that what they are attending is little better than a prison. Governed by brutality, starvation and violence, the boys have to conform to the demands of their boss “Spencer” (Hamish Linklater) or else life won’t be for the living. It’s worth pointing out that this isn’t just a school for black kids, all shapes and sizes are used and abused here and even if the authorities do decide to make a rudimentary visit, nobody ever dares to step out of line. It’s told using a combination of timelines, so there’s not so much actual jeopardy for the two characters, but what we do see is just how each struggled to come to terms with their predicament in different ways, yet always managing to provide support for the other. As we build to the conclusion, the true extent of the horrors inflicted on these students becomes more appreciable and the production starts to mingle the drama with real-life photography, statistics and more abstract imagery that proves intangibly effective at illustrating just how messed up people could be after a childhood/youth spent in fear. It takes it’s time which at times can prove frustrating, but in the end I reckon RaMell Ross manages to pick his way through this emotional minefield carefully and poignantly and it’s a tough, but worthwhile, watch.

<em>'Nickel Boys'</em> is too slow paced and overly stylistic for my personal liking, but there is no doubting it has quality. I can understand the praise it has received, it's just not overly for me. A good film it still is, I don't have any major negatives despite the mild cons noted above. The performances of Ethan Herisse and Brandon Wilson are strong enough, admittedly I didn't really find much to connect with them aside from their predicament. The forced perspective that the movie is portrayed via doesn't help with that, as interesting a concept as it is. How I view it solely as a film doesn't really matter anyway, because it is good to see this get so much attention - if only to shed light on the harrowing reform school that the story is based upon. It's disturbing how many of those sorta places exist/ed around the world. Awful.