The Killer

The Killer

22/1/1990 1h 50m 7.6/10

Overview

Mob assassin Jeffrey is no ordinary hired gun; the best in his business, he views his chosen profession as a calling rather than simply a job. So, when beautiful nightclub chanteuse Jennie is blinded in the crossfire of his most recent hit, Jeffrey chooses to retire after one last job to pay for his unintended victim's sight-restoring operation. But when Jeffrey is double-crossed, he reluctantly joins forces with a rogue policeman to make things right.

Director

John Woo

Top Billed Cast

Paul Chu Kong

Paul Chu Kong

Sidney Fung

Chow Yun-Fat

Chow Yun-Fat

Jong

Shing Fui-On

Shing Fui-On

Hay Wong Hoi

Danny Lee Sau-Yin

Danny Lee Sau-Yin

Insp. Li Ying / Little Eagle

Kenneth Tsang

Kenneth Tsang

Sgt. Tsang Yeh

Sally Yeh

Sally Yeh

Jennie

Reviews

Filipe Manuel Neto

Filipe Manuel Neto

6/19/2023

7/10

**Action, lots of action, in a slow but elegant film.** It was the first time, to my knowledge, that I saw a film made in Hong Kong. John Woo, its director, gained some international notoriety and would even, long after this film, have some work in western cinema. In general, I liked the movie. I'm not an undefeated fan of action cinema, but I felt that this film manages to balance the explosive action (even better and more intense than in North American films) with a satisfying script. The story revolves around a professional killer who, after accidentally blinding a bar singer, starts to protect her. He will, however, have to kill a mobster and escape from the police, who understand the relationship between the singer and the bandit and start to watch her. Chow Yun-Fat is the film's lead actor, and the only actor I somehow remember seeing, though I can't say where. He is charismatic and intense, and makes his character a tough man but, at the same time, able to capture the audience's sympathy. Danny Lee, in the role of a police inspector, and Sally Yeh, as the singer, also give us a pleasant job. The film's focal point is the intense, explosive action. No means were spared in achieving impressive fight and shootout scenes, and in that respect, both the stuntmen and the special effects team deserve praise. The film has good sets and costumes, and the cinematography has a visual beauty very typical of oriental films, where the color is intense, vivid, something important and always valued. The film is about an hour and a half long, but the pace is quite slow, denoting a certain stretch of the script, and this is the biggest negative criticism I can give it.

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