<em>'The Amateur'</em> is not all that believable or unique, but it without question made for a satisfying time at the movies for me. It feels like a long while since I've seen Rami Malek in anything; fwiw, <em>'Oppenheimer'</em> over a year ago. This makes for a strong return into my world. Malek is the beating heart of the movie, as you'd expect. I mentioned that it doesn't come across as all that plausible, though that is only in regards to what the film ends up portraying; Malek is convincing as the main dude. Elsewhere, Laurence Fishburne and Michael Stuhlbarg are good. I was fully invested from beginning to end, so I can't really harbour any complaints. It's pure and simply a very well done movie, in my eyes at least. After the very good <em>'One Life'</em? and now this, James Hawes is turning into an interesting director to look out for.

“Heller” (Rami Malek) is the geeky “Jack Ryan” type, stuck in an office five floors below sunlight working on intelligence gathering and decrypting for the CIA. Intrigued by his latest set of dossiers from a deep throat somewhere on the internet, he suspects he has stumbled upon something nefarious. Before he has time to investigate, though, he hears that his wife has been the victim of a terrorist attack in London and so now he’s seeing red. Using the information he has recently obtained as leverage, he gets himself trained and equipped for an operational mission to get some revenge. Thing is, “Heller” isn’t a natural born killer, and despite the best efforts of his handler “Henderson” (Laurence Fishburne) he isn’t considered likely to be much more effective than a wet lettuce when it comes to killing anyone. What we now see is that there are more ways than one to skin a cat and brain can sometimes overcome brawn if applied with plenty of explosives, sticky tape and even the odd rogue missile. That’s perhaps the problem with this film: we’ve seen it all before - and more compellingly, too. Malek does enough but the rest of the cast really underwhelm and the set-piece action scenes come all too few and far between before an ending that really just fizzles out. James Hawes has presented us with a great looking film, packed with gadgets and gizmos, and the story also does make you realise just how big brotherly society has become with cameras apparently everywhere manipulating imagery from your shadow cast on a water-filled dustbin lid - but after a while, that all becomes a little repetitive and the plot settles into an implausible predictability. It has it’s moments, but sadly that’s all they are and this is a film that you’ll soon forget all about.

Great movie.