**A beautiful film with a handful of odd choices.** I was hesitant going into this film. On one hand, it was a mainstream zombie film with a big budget and a competent crew. But on the other hand, it was in a franchise I have never loved, and it was the start of a new trilogy. So, while I was confident that it would be a solid movie, I did not know if it would work for me personally or if it would feel like it could stand on its own. I walked out of the theater satisfied with the film. And in the day since, I have grown even more positive on it and am giving it a **9 out of 10**. I think the part that will surprise people the most is the emotional weight that the film carries. And it all comes from the great set of characters and their relationships. There is a lot of heart and even some great humor to get you invested. This elevates the film above being just another fun zombie movie. But let's talk about the zombies/infected. There are a couple new ideas introduced with them in this that I really dig. They are more monstrous than ever, but they are also showing more humanity than ever. The action and kills are a lot of fun. Everything is as fast and terrifying as usual with this franchise. So, the action is mostly fantastic. I say 'mostly' because there are a couple of editing choices that I think distract from the action more than they enhance it. I can say the same for a handful of other points in the film. They chose to insert flashes of other footage at times. One of the times I loved it. One of the times it was weird and actually felt like a trailer for the movie. And another time, it was just very confusing. (I still don't know the meaning of it) Those are a couple of the times where the style didn't fully work. But for 95% of the film, it does! This film has a look that is so unique. **It feels both calm and like a nightmare at the same time!** I don't know how they did it. If you have seen the awesome trailer, you get a feel for the style of the film. It does not disappoint. Then, there is a scene at the end that sets up the future of the trilogy. This scene has a style and a tone that is like nothing else in the movie. Truly a WTF moment for the audience. It was bold, and it did not work for me. But since it was just a tease to the future films and not integral to this one, I am willing to forgive it. Because before that, we got an actual ending to the film that was emotionally satisfying. This film has no problem standing on its own. Sure, you are left with more to explore, and certain character arcs are left unfinished. But go in knowing it is a trilogy (and that the next one is coming as soon as this January), and these things hopefully won't bother you. - All in all, **I'm a happy zombie fan! :D**

It’s almost thirty years since Cillian Murphy wandered around in his hospital gown; the so-called “rage” virus still shows no sign of abating and with Britain effectively quarantined from Europe there are few outposts untouched by it’s madness. Protected by the tides, the small island of Lindisfarne is one such bastion and that’s where “Spike” (Alfie Williams) lives with his dad (Aaron Taylor-Johnson) and his poorly mum (Jodie Comer). It’s a big day in the place when “Spike” is taken to the mainland by his father to make his first kill. That’s not least because he is barely twelve years old and because he has never seen anything of town nor land as far as the eye can see before. He’s also never seen any of the infected before, either. With this trip being fairly fraught and eventful and with one of his family friends at home telling him of a doctor “Kelson” (Ralph Fiennes) who might be able to help his increasingly disturbed mother, the newly emboldened “Spike” comes up with a daring plan to see if he can help make her better. It’s all pretty standard zombie fayre this film but though there is quite a decent effort from the confident young Williams and Comer does lethally equipped confused well too, the rest of it just lacks much for originality. There’s plenty of action, but there was that in “Shaun of the Dead” (2004) too - and at least that was funny. This is just all a bit intense, with the psycho-babble “up and down again” commentary and some inconsistently incorporated archive from old Robin Hood or Olivier films that seem to suggest something of the recurring nature of history, but also of this plot. Sure, it’s only part one of a trilogy and the iodine-bedecked Fiennes does introduce a little quirky intrigue for what might come next, but I was really quite disappointed with this over-hyped and all too often quite episodic horror, sorry.

I have waited for 18, painful, years since 28 weeks later was released for this sequel. So, as I am sure it is the case with many Zombie movie fans I had expectations very high. The movie is set 28 years after the infection in a, this time completely, quarantined UK and follow a family who lives in a secured village. The dad has a scouting job so the main plot of the movie follows what happens after the 12 years-old son is exposed to the outside of the village and the many new evolved types of zombies and people that now plague the country. The movie has good technical quality and the initial sequence with the dad and the child venturing in the open country has the same energy as the first movies, with frenzied zombie pursuits and the feeling you "can't catch a break". However, the director tried too hard to make an artsy movie, with "The Shining"-like visions, excessive soap-opera drama, and even a ridiculous sequence with people jumping around "fighting kung fu" which reminded me of Kung Fu Hustle. Still a good movie worth watching and with a better editing it could have been the great movie we all expected, but the final format is a bit of a disappointment for the fans that waited for so long.

<em>'28 Years Later'</em> delivers a very good flick, I wouldn't rank it too far behind the (albeit superior) original in actuality. I admittedly did think it was going to be more in-your-face unsettling based on a trailer I saw, what with that terrifying (but great!) usage of Rudyard Kipling's "Boots". All the same, it is still unnerving in a good amount of patches; it's, for me, definitely the closest that these films have come to being scary. These movies always nail their casting, whilst this is compartively the weakest cast they still impress. Ralph Fiennes steals the show, mind. Fiennes is quality, Aaron Taylor-Johnson does bring a strong performance too. Jodie Comer is convincing, while youngster Alfie Williams gives more than what's necessary. Edvin Ryding's part is iffy at first, but by the end I did enjoy him. No complaints with any of 'em. The final scene is absolutely wild, kinda can't believe they went *there*. I did note the similarities to the fixer instantly but thought I was connecting unconnectable dots, but boy was I spot on. I'm fascinated to see where they go with it; good casting, to be fair. Not too long to wait for the January 2026 sequel, it'll be worth a watch no matter what given the above. As for this 2025 release, it sure does look the part visually and it happily gives an entertaining story to boot.

Don't believe those reviews that give this movie rating more than 4/10. They are paid reviews. There's no way that any normal, sane person would rate this movie more than 4. I watched 28 Days Later (first one) and 28 Weeks later (2nd one) and they were masterpieces in a zombie movies. They were brilliant. I would say, best zombie movies out there. So, I was looking forward for this third one, but trust me, it turns out a huge disappointment. It feels like a bad parody of a zombie movie, more like a joke rather than a serious movie. Let's dive into details: Music: Music is out of place in this movie. Some, stupid music as a background all the time. Visuals: CGI and special effects are truly bad for 2025 movie. It felt like I was watching some very low budget movie. Old footages: Sometimes we get some old movie footages in this movie, I have no idea for what purpose. I think creators also have no idea what they were creating with this abomination of a movie. In short, I watched 30 minutes and then I just simply stopped and deleted this movie from my library. It's that bad! As soon as you start watching it, you will understand why it feels so cheap and low budget, trash movie.