I think this is one of the best animated feature films I have ever seen, perhaps even the best one. It is very imaginative, for a start, colorful in ways that capture the eye, and its message is as deep as you want it to be. By that I mean it would be productive and fun to watch this with children of all ages. The older or more mature the child is, the deeper you can delve into the issues of what to do about feelings of anger, sadness, and so on. With young children, you could even watch it first time through as it is, and save comments or life lessons for additional viewings. There is plenty of action and humor to be found here to entertain hem on that level. And as a side note, we have no small children to watch this with, but it is also a good movie for adults to settle into, especially during times of stress or worry. We read a recommendation for it during the COVID19 crisis.

Sweet story. <em>'Inside Out'</em> produces an entertaining, heartfelt 95 minutes. I like how the characters work and how their world is set up, conceptually it works very nicely but visually I don't love it - something about the way it looks is kinda plain to me. While Joy & Co. are memorable, the voices behind them aren't all that standout in my opinion. Phyllis Smith is my pick of the cast, she is the perfect person to play the character Sadness. Amy Poehler (Joy) and Lewis Black (Anger) are more than satisfactory, too. It has a good message and meaning, for me it's just missing something extra. Still enjoyed it though.

Really good watch, would watch again, and can recommend. This is a wonderfully little story of world building and exploration of the human mind through a young teen girl who is scare of the huge amount of change happening in her life. The parallel of internal struggle and outward reaction to adversity really sets this movie apart. The audience is literally taken on a exploration of the mind, and the story is not only fun, but capable of serious philosophical concepts. Because it exemplifies "show, don't tell" those conversations are compacted into palatable actions by the characters. This is a movie that might make you laugh, cry or both. It's hard to believe that someone wouldn't relate to this somehow, and probably more that they wouldn't enjoy it at all.

"Riley" is a pleasant little girl living with her parents in Minnesota where she plays ice hockey, has loads of friends and generally, all in her garden is rosey. Her parents decide they need to move to (a rather drab) house in San Francisco, though, and as you might expect this causes some new tensions, especially as their furniture seems to have been lost in transit! Inside her pretty little head, we see her emotions - Joy, Fear, Anger, Disgust and Sadness personified and vying for control of her personality during this lively time. Joy seems most adept at managing the situation and keeping things on an even keel, but after an inadvertent intervention from sadness, the two find themselves expelled from the control room and having to make their way back from deep within her memories before it all comes crashing down at the hands of those less optimistic sensations left in charge! It's almost as if there is an "X-Factor" judging panel inside everyone's head making decisions and discussing with each other which of their traits ought to prevail as circumstances dictate - and in the main it works well. It ultimately serves to advise that none of these emotions can exist in isolation and that we must learn to take the rough with the smooth, the good with the not so good. The animation is entertaining, some humour amongst the more thought-provoking stuff; a proper "train of thought" and a childhood friend "Bing Bong" whose role in her life is fading as she grows up. I loved the ending - not least because any sequel would have to deal with the big red "puberty" button on their console and a lot of mischief could be had here.

Very interesting idea for a movie. Sadness drives me crazy though. Pretty decent movie though. It's a good family to watch together.