Love on the Run

Love on the Run

6/4/1979 1h 33m 7.0/10

Overview

Antoine is now 30, working as a proofreader and getting divorced from his wife. It's the first "no-fault" divorce in France and a media circus erupts, dredging up Antoine's past. Indecisive about his new love with a store clerk, he impulsively takes off with an old flame.

Director

Nathalie Seaver

Top Billed Cast

Jean-Pierre Léaud

Jean-Pierre Léaud

Antoine Doinel

Marie-France Pisier

Marie-France Pisier

Colette Tazzi

Claude Jade

Claude Jade

Christine Doinel

Dani

Dani

Liliane

Daniel Mesguich

Daniel Mesguich

Xavier Barnerias

Dorothée

Dorothée

Sabine Barnerias

Reviews

CinemaSerf

CinemaSerf

12/22/2024

7/10

By now, we know that "Antoine Doinel" (Jean-Pierre Léaud) is a bit of a scoundrel and the first few scenes here illustrate that to a T! The ink is barely dry on his divorce from "Christine" (Claude Jade), when he is leaving new gal "Sabine" (Dorothée) to meet up with their son "Alphonse". This behaviour rather epitomises the problem for "Sabine" who yearns for just a little more commitment from her flaky boyfriend. He, on the other hand, is continuing to juggle the plates to nobody's particular satisfaction and that's depicted in this entertainingly stitched together drama using a series of flashbacks and contemporaneous storylines that only become more complex when he runs into his original infatuation "Colette" (Marie-France Pisier) - and him without a train ticket, too! For "Antoine" it's all a maelstrom of emotions that surround and immerse him, frequently leaving him flailing, but who might make him happy? Whom might he actually make happy if he stops being selfish long enough? Could he ever be that selfless? There's a fine chemistry here between Léaud and both Pisier and Dorothée as the comedy veers perilously close to slapstick at times, but it does stay just the on right side as his character raises laughs of both empathy and shame as his escapades see his life unravel before us. Truffaut keeps it moving along quickly and there's some observational wit amidst a script that quite poignantly sums up a man I reckon it'd be better not to know - especially if you're a woman.

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