Blade Runner
1982
Hermitage, defined by Bene as "a rehearsal for lenses", beyond any literal rendition - its narrative trace comes from one of his anti-novels, Credito Italiano V.E.R.D.I - displays his immediate attitude to thinking a cinematic language completely based on actor's movements and actions, and more specifically, on his presence and his schemes. Camouflaged or naked, still or moving, his body seems to play and be played at the same time, shifted by objective and subjective tensions, both metaphorically and visually speaking.
Carmelo Bene
The Man
The Woman
1982
1979
1990
1956
2006
1987
2000
2001
1960
1999
1931
1968
2002
1930
1966
2006
1959
1975
2000
1966