
Witness for the Prosecution
1957
Hermitage, defined by Bene as "a rehearsal for lenses", beyond any literal rendition - its narrative trace comes from one of his anti-novels, Credito Italiano V.E.R.D.I - displays his immediate attitude to thinking a cinematic language completely based on actor's movements and actions, and more specifically, on his presence and his schemes. Camouflaged or naked, still or moving, his body seems to play and be played at the same time, shifted by objective and subjective tensions, both metaphorically and visually speaking.
Carmelo Bene
The Man
The Woman
1957
1967
1969
1971
1990
1955
1962
1973
1938
1982
1974
1924
1963
1968
1935
1958
1958
1957
1948
1980