Conquest

Conquest

22/10/1937 1h 53m 6.5/10

Overview

A Polish countess is dispatched by her country to become Napoleon Bonaparte's mistress at the urging of Polish leaders, who feel she might influence him to support Polish independence.

Director

Clarence Brown

Top Billed Cast

Leif Erickson

Leif Erickson

Paul Lachinski

Greta Garbo

Greta Garbo

Countess Marie Walewska

Alan Marshal

Alan Marshal

Capt. d'Ornano

Charles Boyer

Charles Boyer

Emperor Napoleon Bonaparte

Reginald Owen

Reginald Owen

Tallyrand

Henry Stephenson

Henry Stephenson

Count Anastas Walewski

Reviews

CinemaSerf

CinemaSerf

12/4/2024

6/10

Saved by the timeliest intervention of some French troops, the "Count Walewski" (Henry Stephenson) and his younger wife "Marie" (Greta Garbo) are spared the excesses of the Russian soldiers who have forced their way into their home. Shortly thereafter, she is introduced formally to the all-conquering and very charming Napoleon Bonaparte (Charles Boyer) and after a bit of a rocky start, is soon subject of his letters declaring his undying infatuation. She decides that perhaps she can do more good for the future of her nation's independence if she plays along - even if this does alienate her from husband. Swiftly, she becomes his confidante and begins to exercise considerable influence over an Emperor who is determined to start his own dynasty - only, well, not with her! What now ensues is really a mini biopic on the rise and fall of Napoleon, condensed and rather rushed - whilst "Marie" keeps a secret from her lover that could rock what's left of his empire. Boyer looks natural in the role but Garbo isn't on her best form here. Certainly, the camera loves her, but her characterisation is just all too dryly performed. Even at her most seductive - and, let's face it, she doesn't have to try very hard with the Frenchman - she looks disinterested. As if she's reading a cue card just out of shot. The latter stages of the plot do play into the conspiracy theorists' hands a little, and perhaps the last ten minutes intrigues a little more but for the most part, and saving an entertaining short cameo from the card-playing Maria Ouspenskaya, this is a grand looking but sluggish drama that doesn't quite catch fire.

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