Seance on a Wet Afternoon

Seance on a Wet Afternoon

5/11/1964 1h 51m 7.2/10

Overview

Working-class British housewife Myra Savage reinvents herself as a medium, holding seances in the sitting room of her home with the hidden assistance of her under-employed, asthmatic husband, Billy. In an attempt to enhance her credibility as a psychic, Myra hatches an elaborate, ill-conceived plot to kidnap a wealthy couple's young daughter so that she can then help the police "find" the missing girl.

Director

Bryan Forbes

Top Billed Cast

Richard Attenborough

Richard Attenborough

Bill

Kim Stanley

Kim Stanley

Myra

Margaret Lacey

Margaret Lacey

Woman at first Seance

Marie Burke

Marie Burke

Woman at first Seance

Maria Kazan

Woman at first Seance

Lionel Gamlin

Man at Seances

Reviews

John Chard

7/21/2019

8/10

Because your weak, and you need me. Myra Savage is a struggling psychic, who along with her weak-willed husband, Billy, kidnap the young daughter of wealthy parents. The plan is to extort money from the fretting parents and then for Myra to help the parents find the child with her psychic ability, thus improving her standing in the psychic field. But as the story unfolds, Myra grows ever more close to the edge of insanity, could the still born death of the Savage's own child be the critical issue? Seance On A Wet Afternoon is something of a hidden/forgotten British treasure, not only because of the eerie atmospherics, but also because it contains a quite incredible acting performance from Kim Stanley as the troubled Myra Savage. Stanley was nominated for an Academy Award but lost out to Julie Andrews for Mary Poppins, I wonder just how many people even remember Stanley's film? Though chiefly marketed as a crime picture, this piece actually feels more like an offshoot of the horror genre, for it's a genuinely creepy picture that has unease lurking in every marvellous black and white corner. Boosted by an excellently understated turn from Richard Attenborough (also producer here) as Billy Savage, directed with exceptional skill from Bryan Forbes (Whistle Down the Wind), and with a plinking creepy score from maestro John Barry, this adaptation of Mark McShane's novel comes highly recommended for those that like a great psychological character study. Oh and of course for those that know brilliant acting when they see it! 8/10

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