"To me, _La La Land_ is like religion. I see the appeal, and I would never take it away from anyone. But I would also never stand in line for it." - Jeff WInger, probably. _Final rating:★★½ - Not quite for me, but I definitely get the appeal._

**They'd crossed each others life while chasing their dreams.** I am not a big fan of modern musical films. So I was not expecting it to be a great or worst. The film opened with a song that I was not happy, because I did not like the verse or the music. And again to say, the modern timeline does not suit for the musical theme, unless it is a fantasy or an Indian film. The best part of the film was, those song fades away as the film progresses. But I kind of liked the drama/story part and the climax track with the quick flashback (kind of). Till that scene I was considering it an average film, but that one scene changed my stance. So, now I think it is a good film, but winning 6 Oscars, I don't know it deserved that. Yes, the director is known for making music and musical film, but he has not made many. He's young and so his career. Yep, I loved 'Whiplash'. One of my all time favourite. If that film had won 10 Oscars, I would have not surprised at all. After that flick, the people were anticipating, to exceed that success in this film. As it was received, no doubt for those people it was a different flick, but not for me. Especially if you watch lots of Indian films. By the way the film characters were nice, and so the story, but not the songs. Gosling and Stone were performed well. The chemistry between them was great. The narration was going decently until the end, which reminded me 'Vinnaithaandi Varuvaaya' ending that I was not happy about, yet something different than usual. Sometimes I am okay with cliché than this kind of conclusion, just to bring a change in storytelling. Overall an enjoyable film, most people would love it. Some like me would say it is a decent flick, but there's always a few who would never favour it. Yet worth a watch. _7/10_

Undeniably well put together, and entertaining, even if it certainly chooses style over substance. <em>'La La Land'</em> is an absolutely gorgeous-looking film, from the costumes to the cinematography to the choreography. The musical numbers are pleasant too. It is a little light on story, not that it isn't entertaining - it is. They were, evidently to me, going for an artsy film and they nailed that. I just personally wanted more depth to the plot, rather than a song every few minutes. Ryan Gosling is probably one of my favourite actors around right now, in the argument at least, and he is very good here. So is Emma Stone, who is arguably the film's standout. I wanted to watch more of Stone's work even before this, so I knew - along with Gosling - I was going to enjoy the cast. They work excellently as a duo. Elsewhere, John Legend's role is a tad out of place, even if it's good to see him. 4*. It might make for lame viewing if you absolutely do not like musicals, but otherwise it's 100% worth a watch - even for someone with a mild taste for musicals, like me.

**Really a good movie, which justifies the hype around it.** Who doesn't remember “La La Land”? It was released in theaters in 2016, and was one of the most viewed and acclaimed films of that year. It was a film that was virtually carried in the lap between festivals and awards of the seventh art, and that seemed destined to clean them all up, as “Titanic” had done two decades before. When he arrived at the Oscars, he had practically nominations in almost every category where he could be included! Of the fourteen nominations, however, it collected “only” six statuettes, with the seventh – Best Film – slipping through the fingers in what was the most absolute embarrassment in the entire history of the Hollywood Academy: the infamous but historic exchange of envelopes, that we all have in our memory. But when I said “only”, it is necessary to put things in perspective: what many producers would not have given to win six Oscars in one of their films! Like it or not, it was a great achievement and "La La Land" received a well-deserved accolade that night. The film, directed by newcomer Damien Chazelle, is a worthy homage to musicals from Hollywood's golden age, and features a generally sympathetic script: an aspiring starlet trying to become an actress meets and falls in love with a purist jazz pianist. who wants to restore people's interest in the musical genre he loves, and which he feels is slowly being lost. It is their mutual passion that makes them not give up on their respective dreams, but it will also end up dictating that both follow their own paths. And indeed, the film's bittersweet and slightly too realistic ending shockingly clashes with the magic felt throughout the rest of the film. It's like having a very beautiful dream, where anything is possible with some effort and serious work, and ending up seeing that dream trampled by a heavy, raw and often unfair reality. And it must be said, although the characters seem likeable, they are selfish and only think about themselves and their interests. They seem to stick together only as long as it really benefits their individual interests. Although I don't like the characters very much, Emma Stone and Ryan Gosling offer us, in the film, two magnificent works of interpretation and also of singing and dancing. Gosling showed hidden talents on the keyboard of a piano, and both are very good at choreography, although singing is not particularly strong point for either. Both are young, and it is quite possible that they will give us even better dramatic performances in the future. The rest of the film's cast hardly matters, it's one of those movies where the main characters are so overwhelming and omnipresent that there's no room for anyone else. Technically, the film has several frankly good aspects that deserve our attention and our praise. For starters, the film's honest and intelligent way of recreating and inserting scenes and dance routines from the great musicals of the past, from “Shall We Dance” to “Singing in the Rain” and “West Side Story”. The scenarios, the elements, the routines are there. The cinematography, colorful, frank, generous with light, is magnificent and a feast for the eyes. The editing was done in an excellent and very skillful way. The scenery couldn't be better, taking advantage of the Hollywood Hills or the Griffith Observatory in the best way. The soundtrack, melodies and songs are excellent.

A fully-fledged musical of the likes we haven't seen on the big screen in decades. This move is almost perfect in every respect. It will draw a laugh, it will draw a tear and it will definitely get your foot tapping. I have to admit the reality ending crushed my enjoyment a little. I understand why the director did it but that doesn't mean I have to like it.

This movie is the best movie there will ever be, Ryan and Emma did great.

"Mia" (Emma Stone) is an aspiring actress who juggles a coffee shop job with countless, fruitless, auditions. "Sebastian" is a budding jazz musician who falls a bit foul of his boss (JK Simmons) when he decides to spice up some of the more mundane Christmas ditties he has to trot out on his restaurant piano and gets fired. The two meet and after a slightly rocky soon start to appreciate that they actually have more in common than they might have expected - and so off they set down their especially bumpy yellow brick road. This feature is a colourful and vibrant tribute to all things Fred Astaire and Gene Kelly with an hint of romance and one or two catchy tunes to help keep the pace bouncing along for a couple of hours. It wallows, unashamedly, in the nostalgia of the good old days and then - thanks to the likes of John Legend's "Keith" - attempts to turn it's focus to the future. Not just of this couple, but of their chosen forms of art. It's no cakewalk for the pair and that's an integral part of this enjoyable tale of their relationship and the pressures put upon it by their aspirations. Those magnetisms that fuel their affection at the start soon start to have the opposite effect as success applies unevenly between them and an happy ending is by no means a certainty. There's plenty of light-heartedness throughout and it's affection for the heyday of Hollywood is writ engagingly large as it trips along. No stunt doubles, dubbed singing, piano playing nor dancing also adds quite a bit to the charm of the pair's antics and "Another Day of Sun" and "City of Stars" show Pasek/Paul and Justin Hurwitz have their fingers on the pulse. Cheesy? Well a little, but this is still big screen entertainment cinema that I really did enjoy. Not quite sure what Ryan Gosling has to do to get an Oscar, though!