Prior to approaching this film, a word of warning that it is what many like to call a "thinking person's sci-fi". If you're going to watch this, I beg that you dedicate your utmost attention to it, as it is truly one rewarding experiences, one of the smartest, most well-constructed science fiction marvels of recent years. 'Arrival' is Villeneuve's magnum opus. Firstly, to put your mind at ease, I won't be analysing the plot, thus avoiding the use of spoilers. This decade, Villeneuve has crafted some fantastic works of art in the form of 'Prisoners', 'Sicario' and now this science fiction gem, and here's hoping his career further develops with more movie masterpieces coming our way. In a world where mysteries remain and the possibility of extraterrestrial life still stands unanswered, 'Arrival' approaches this with it's cliche-free take on the genre. The relatively unknown Bradford Young provides the film with some of the most stunning cinematography ever conceived, taking advantage of the twilight hour to give the film its somewhat unique look, supported magnificently by Icelandic composer Jóhann Jóhannsson whose score is both haunting and beautiful. If you're someone looking for a science-fiction tale that keeps you guessing and thinking throughout, with fantastic performances, cinematography, music and near-flawless direction, then 'Arrival' is the film for you. The masterpiece of 2016!

Denis Villenueve offers a great film, but one that is exactly what the trailer put forth, this is not a Sci-Fi War film waiting to happen, or a modern-day horror. It's a character-driven piece about politics, life, humanity and communication. _Final rating:★★★½ - I strongly recommend you make the time._

**It was a perfect contact, but troubled at the communication.** The film was decent. Nowadays there are lots of altered versions coming that you won't easily say those are the remakes or reboots or spin- offs or whatever they call them in these days. Like 'Premotheus' to 'Alien', this film can remind you a few titles from the past, but 'Contact' is what the majority of us believes it got inspired. The eight Oscars nominees for the film is insane. I know some people liked it, and the film was good, that does not mean it is an Oscar product. I'm okay with the technical side recognition as it deserved that. So visually it was very good, but not a special effects extravaganza. Just a simple sci-fi drama, with a few thrills, particularly towards the end. When the unexpected visitors from the outer-space land their ships in the twelve different locations on the earth, the humans patiently try to communicate with them to learn their intentions. This story focused on the American soil, where experts are brought in to decode the alien language. How the rest of tale develops was told in the remaining parts. To me it smells like a trilogy. If not, it should be. I enjoyed it, mainly because of being a drama. Sci-fi is always associated with action, adventure and thriller, but this drama was something fresh as per todays computer graphics dominated cinema world. This is particularly for the family and older people like the grownups. Like I said the youngsters love action and violence. So it is a one time viewable film and you will get everything in that attempt itself. _7/10_

Well damn. I couldn't stop thinking about this one and may not for awhile. "Arrival" is one of the best Sci-Fi films I've seen in this year. Everything about this film was just top notch that I can't put into words without going all over. So let put it like this: Amy Adams was wonderful in this. A very grounded and real performance. Probably her best. Same thing that can said about Jeremy Renner. And how the aliens were part of the story was fascinating and quite clever. Without spoiling anything, they had a unique look to them. Like spiders. Although out the film, you feel their presence. A presence that's both scary and yet remarkable. Denis Villeneuve is my favorite working director. He can release a movie every year and still be close of making a masterpiece. Villeneuve delivers a haunting and heartbreaking story that leaves the audience with a experience that will stay with them. A beautiful, thought-provoking, Sci-Fi film that isn't an action or war movie. And I'm even more excited to see "Blade Runner 2049". And how can I forgot the amazing score, astonishing cinematography, intelligent script, and the tearjerker ending that left me in pieces. I honestly can't say anything else. Please do yourself a favor and watch it. For now, I'm dumbfounded.

This may be my new favourite film. I was so emotionally involved in this film, and I'd be lying if I didn't admit a few tears were shed towards the end.

**An excellent film, where the main theme is not what it seems.** In general, I'm not a big fan of movies involving aliens... in part because they seem extremely unlikely to me (I don't really believe there is another planet with intelligent and skilled living beings like humans, or at least not developed enough to see us visit). However, I really enjoyed this film, which takes advantage of the visit of twelve spaceships from other worlds to make us question the way we view the passage of time and its linear nature. Critically acclaimed, the film received mixed reviews from audiences, with a number of detractors and admirers alike. I personally think the film is good enough to deserve our attention and respect. To understand the script, it is necessary to bear in mind that the main theme of the film is not the spaceships and the alien visit, but Time, the passage of time and the way we look at it. As such, the film uses a non-linear narrative that can sometimes be difficult for viewers to understand: through dreams, the protagonist sees her young daughter, and we are led to think that she dreams of things from the past, and that she is now divorced, and her daughter has died of illness (I think it must have been leukemia). It is only later on that we realize that this is not quite the case… I don't want to reveal much more, but to understand the film, it is necessary to consider these points well. The extraterrestrial visit thus becomes an authentic sub-plot from a certain point onwards, and the real motivation of the visit is closely linked to its language and circular writing. I think I've given enough clues. The advantages of this film being as it is are linked to the reflective and meditative form it takes, which can exasperate those who wanted more action or drama. I can understand that these audiences felt defrauded in their expectations. The slow narrative can sometimes drag on too much, and the film's extremely scientific nature can also make it a little difficult to understand. In the end, the quality of the plot goes downhill, things become something more cliché and predictable, but I saw that as less of a problem. I liked the work of Amy Addams, I think that the actress was relatively ignored by the judges of the Oscars that year, and it would have been fair, at the very least, to be nominated for Best Actress. She did work with soul, heart and commitment. Jeremy Renner also gave us an excellent performance, perhaps one of the best of his career so far, along with “Hurt Locker”. Unfortunately, the good performances end here: there are other excellent actors, but they didn't receive good material. The most obvious case is that of Forest Whittaker, who shone in “The Last King of Scotland”, and had a flat character here, without any development. Even so, he managed to do a lot with the little he was given. Despite only securing one Oscar for Sound Editing, the film was nominated for Best Picture, Best Director, Best Cinematography, Best Adapted Screenplay, Best Editing, Best Sound Mixing and Best Production Design. I don't know Dennis Villeneuve's work very well, I even have the impression that this was the first film of his that I've seen. So I'm not the best person to rate it. What I can say is that I liked the director's work here: he managed to give feeling and depth to a film that, on the other hand, could have been just an excuse for a lot of visual effects and CGI. The effects are there, the CGI is good, and it works really well, but the movie is more than that! The cinematography is also good, with many blurry scenes that are fundamental to the work of creating and manipulating the environment, with the film becoming increasingly tense and mysterious. The editing was also very well executed, although there were some pacing issues. Finally, a word of praise for Johann Johannsson's soundtrack, and in particular for the choice of the melody “On the Nature of Daylight”, by Max Richter.

ok movie really boring at times. it was only interesting to the space craft and the aliens. other then that it was pretty dumb. working together and love is something the planet will never understand. well at least our leaders wont any way.

Accomplished linguist "Louise" (Amy Adams) is drafted in by the US military to join an international team of scientists charged with trying to communicate with twelve spacecraft that have landed across the globe. Upon her arrival she encounters "Donnelly" (Jeremy Renner) and the pair work on finding a way to talk with "Abbott" and "Costello". These latter two are aliens who seem just as keen to chat back, but finding common terms of reference is nigh on impossible. As they find innovative ways to make progress, we discover a little of her traumatic past and it seems her association with the visitors is heightening her senses and inspiring her imagination. With the global alliance straining and the domestic military champing at the bit, it falls to the couple to avert disaster. It has something of the original "Day the Earth Stood Still" (1951) about it, this - as it looks more intelligently at the whole subject of extra-terrestrial life without just focusing on expensive visual effects. Indeed, the artistic design of these effects is really quite effective at illustrating just how blank canvas connections require inspiration and patience - and there are clues for us to spot, too. Adams is at the top of her game here, and with Renner delivering well as a foil and Forest Whitaker taking on the role as the less gung-ho military man ("Col. Weber), this is more a thinking persons sci-fi thriller that keeps us guessing as to the motives of just about all until the denouement. It's a little slow off the mark, but does make you hope that if ET does ever arrive, it is more this kind of welcome it may receive rather than tanks, missiles and ye-ha!