Visually has a lot of the things _Underworld_ is known for, but in terms of quality? Well if you liked _Awakening_, you'll like this. Because they're basically the same film. I for one liked neither. _Final rating:★★ - Had some things that appeal to me, but a poor finished product._

You know what to expect by now. This series has been going on so long now that this movie almost comes across as a throwback, since it's still drenched in all the post-MATRIX visual cliches. Beckinsale is as remarkably photogenic as ever, but the camera never lingers on her face for more than about two seconds. The running time is as tight as her costume, and it feels rushed. We have a few decent fight scenes but the gunplay is just a mush of noise with very little in the way of cool choreography. Still, there's fun to be had watching the gore and all the scenery-chewing that's going on.

This franchise was a thing back then when the Matrix phenomenon was at force but now a days they should let it rest, otherwise a cluster of nonsense, much like the Resident Evil movie franchise, it is sure to become. In other words the movie ain't that bad but this entry is just franchise milking at this point. I wouldn't mind if it would be made a video game franchise though.

**The mission Eve has begun!** Like any guys from before the 90s, I was too a big fan of Beckinsale. There's no one can match her beauty, even to her age of today. That does not mean all her films are good. She has stopped doing good films a while ago. Every time when her films get released, I was hoping for her comeback like the old days, either a pure drama or an action film. No, not this film. It is what, the fifth in the franchise and the feature film debut for the directress of the television series. As always, worth watching for Kate. The story continued, and it focused on the remaining vampires fighting for their survival against their arch-rival, Lycans. That's where the Selene caught between. But this time, it was about looking for her daughter, Eve, who holds the key to the future of these immortals. So the action begins where everybody clashes, racing towards their destination. The first three were the good ones. This and the previous ones were downgraded the decent series. The makers are already working on the sixth. Definitely not expected, after seeing this particular film. But I hope it comes back to the original course with good story, actions, graphics and all. This was simply based on one liner, and the rest of the film leaned towards the stunt sequences. Okay to watch once, but I'm not sure worth of spending 90 minutes for it. So if you want to, then it is good to keep update to follow when the time comes to try the next ones. _4/10_

Kate Beckinsale is back as Selene in Underworld:Blood Wars. Director Anna Foerster helpfully recaps the Underworld franchise, useful as they are in main forgettable films apart from the vision of Beckinsale in skin tight black leather. Blood Wars also gives us a lovely vision of Lara Pulver's treacherous vampire Semira in a dress that is just about held up by tape on her breasts. The Lycans led by new leader Marius are slaughtering vampires are on the brink of victory. Marius pursues Selene as he needs her daughter's blood. Selene meanwhile has tried to make amends with the vampire elders with the help of David and his father but soon finds herself betrayed. The plot is rather silly and illogical, the action is at least fast and furious, the CGI is a little cheap looking.

Unashamedly, I really quite enjoyed the first two films in this franchise. The next two were poor and poorer still, and this one really is the nadir. Kate Beckinsale reprises her role as the rogue outcast "Selene", only this time she must ally with the swarthy "David" (Theo James) who is the son of vampire supremo "Thomas" (Charles Dance). Thing is, the ambitious "Semira" (Lara Pulver) and her militant toyboy "Varga" (Bradley James) have other plans for their coven - and in the face of the resurgent and emboldened Lycan "Marius" (Tobias Menzies) the battle lines are drawn for some internecine plotting, backstabbing and all out war. To be fair, it doesn't hang around and Anna Foerster doesn't let the black leather-clad Miss Beckinsale keep her feet on the ground for long (or very often) but that's really the snag. There isn't really much of a story and what there is is all gummed up by some really lacklustre efforts from pretty much all concerned. It misses the simple dynamic of the earlier iterations that featured a smaller, tighter cast with a much more entertaining and menacing story. It does pick up a little at the end, but I think this was just one too many for the characters and it misses Scott Speedman - and that's not a thing you read every day!