Dunkirk is a beautiful and unconventional World War 2 epic that is undoubtedly captivating, but it takes risks that may alienate some viewers. When people talk about a film they think it's about the setting, but it's actually about the characters. Saving Private Ryan isn't about World War 2. It tells a story about a squad of soldiers tasked with finding a young Private Ryan and getting him back safely to his family. Saying Dunkirk is a film about the Battle of Dunkirk however, is not inaccurate. The setting and characters are one. The choppy waters of the English Channel are equally as important, if not more so than the people who fought and died in them. As much as this makes for an interesting way to make a mainstream war film, it's also the reason why I wouldn't care to sit through it again. In some ways, it feels like watching a documentary with the narration turned off. I walked away impressed, and at the same time emotionally and intellectually unfulfilled.

_Dunkirk_ was my best mate's favourite film of 2017. I find it difficult to understand exactly what drew him to this film so strongly. I find it difficult to say anything passionate about _Dunkirk_ at all. I think I arguably felt some tension in the earlier moments, and some of the shots were beautiful... I think? I honestly can't remember. _Dunkirk_ washed over me in the least impactful way possible, and then, like the tide, it was gone. _Final rating:★★ - Had some things that appeal to me, but a poor finished product._

I want to start by saying I’m tired of seeing the big names in every movie I see, I think at times big name actors can take away from a movie more than benefit. Dunkirk did a great job of allowing us to focus less on the actors and more on the story. I feel this movie put me in the story and allowed to experience first hand some of the lives that were impacted. There wasn’t a lot of character building in this movie, but that’s what I loved, I feel like I was allowed to more so build on the experience over one person’s story. Since we’re not typically used to a movie being experience based over character based, I think some may find this as a flaw. I did not. There were multiple stories and perspectives, all which immerse you into the current situation. Christopher Nolan did a great job of creating an overwhelming feeling of hopelessness throughout the movie, I felt like I could never feel safe and constantly looked for a way out. I was on the edge of my seat for the majority of the movie. **Dunkirk was a great roller coaster ride that allowed a view one may otherwise never experience.**

Very good. <em>'Dunkirk'</em>, as you'd expect given the director, is extremely well made. I particularly enjoyed how the film is shot, the sound editing and the score. It's a watchable story about an event from World War II. I wouldn't, personally, say there's a standout cast performer. I don't mean that negatively, it's just more a film about a group of people rather than individuals - which I assume was the intention. There are still good performances, from the likes of Tom Glynn-Carney and Jack Lowden. It also features star names, including Tom Hardy, Cillian Murphy and Mark Rylance. The music and how the sequences are crafted is what elevates this film up, while the pacing is almost spot on - they could easily have made this 2hr 15mins+, like most war films seem to do, but keeping it at around 1hr 47mins was a smart choice. I do still feel like it could've been greater, yet I still got entertainment from it.

It starts off well, with a little glimpse of a British Soldier that was as unprepared as the UK for the war. It's a nice teaser... ...then a little story about the civilian involvement with the evacuation... ...And it all comes with the promise of being a British "Saving Private Ryan." Unfortunately it ends up being a lot more Michael Bay than Steven Spielberg. that is to say that it looks nice and sleek and professional but is otherwise lacking in a real story. Spielberg managed to tell a story that was both pro-Soldier and anti-war, and that made the whole Normandy Beach until the very end a pleasure to watch. Dunkirk, on the other hand, gives up about 15 Minutes in and decides to just focus on the action with the story being an after thought. In short it's boring.

**Considering the quality and talent of those involved, the budget and all the variables, the film is unforgivably disappointing.** The Dunkirk disaster was one of the opening moments of World War II: in the face of the unstoppable advance of German troops, a mixture of British, Belgian and French soldiers were pushed into the English Channel, fortifying themselves in the French city of Dunkirk. The prospects could not be worse: in a few weeks, hundreds of thousands of exhausted Allied soldiers found themselves surrounded by a powerful Panzer division and under constant attack by German aviation, having no port capable of evacuation, which would be carried out by smaller vessels in the so-called “Operation Dynamo”. And everything indicated that, after France, it would be England that suffered the German invasion, so the British could not be more apprehensive. Despite the fact that the film paints the episode in a positive light (trying to highlight the ability that the British had to successfully evacuate their troops), there is no doubt that Dunkirk was a disaster and is, even today, one of the most humiliating moments of British military history, comparable to a similar situation that occurred in 1809 in A Coruña, where British soldiers also found themselves between the sea and the enemy, this time Napoleon's army. Moreover, this film turns out to be a kind of remake of a film with the same name and the same theme made in the 50s. Directed by Christopher Nolan (a talented and fashionable director), the film has a cast full of strong names in the industry. Mark Rylance has the most prominence in the role of a civilian, owner of a small yacht, who decides to go personally to rescue soldiers with his sons. Tom Hardy also gives us an excellent job, in the role of a British aviator who helps as he can. Cillian Murphy is believable in his work, giving us an idea of the shock a soldier can experience in a combat situation. Harry Styles and Aneurin Barnard also deserve a positive note. Sir Kenneth Branagh stands out, embodying the figure of British stoicism, but I found his character somewhat forced to be more impassive than would be plausible in that situation. Despite its merits, it is an indisputably cold and unexciting film. Anyone expecting incredible shootouts or grandiose battle scenes will be disappointed and have to settle for some good dogfight-style fighter combats and some more tense scenes, but which never materialize in combat scenes worthy of a great war movie. And considering the number of soldiers surrounded there, one would expect to see a crowd of soldiers... however, this only happens occasionally, and it even seems that production has saved on the means. Written in a simplistic way, the script distracts attention and places more emphasis on what is happening in the sea and in the sky, so the German threat is something that we don't quite understand and that the film doesn't waste time explaining. With me, that wasn't a problem, but the worst History students will have to read a little to find out what's going on. The characters are also not developed: there is no concrete villain because the enemy soldiers are collectively, so there is also no undisputed protagonist character. Technically, it has several merits and demerits to consider. On the one hand, it is an authentic visual spectacle thanks to a masterful filming work and a remarkable and very well crafted cinematography. The sound also deserves praise thanks to very good effects, very well-used and, of course, a tense and efficient soundtrack signed by Hans Zimmer (in yet another collaboration with Nolan). Unfortunately, the editing is bad and, if the script already had flaws, the non-linear narrative accentuated them even more, making the film confusing and strange.

Yes.

Faced with imminent annihilation, over 400,000 troops are stranded on the beaches of Dunkirk facing bombardment from superior Nazi air and land power. Christoper Nolan manages to condense into the next 95 minutes the grimness of the situation, and the sheer determination of the ordinary soldiers; how they deal with fear, learn to trust and co-operatate with others from many different nations - as the logistical nightmare that is repatriating them gradually is taking shape. We take the perspective of three individuals as they try to survive and get home and really do get a sense of the existential threat they each face; some more bravely than others. The events are historical fact, but the performances from Fionn Whitehead, Barry Keoghan are superb and perfectly plausible. A great supporting cast with Tom Hardy, Sir Kenneth Branagh and Mark Rylance amongst many all contributed to the authenticity of this expertly photographed (frequently using much more intimate POV-style coverage) production from Oscar nominated Hoyte Van Hoytema. The paucity of script also helped convince of the atrocity of their situation - definitely a case of less being more.