Throne of Blood

Throne of Blood

15/1/1957 1h 48m 7.9/10

Overview

Returning to their lord's castle, samurai warriors Washizu and Miki are waylaid by a spirit who predicts their futures. When the first part of the spirit's prophecy comes true, Washizu's scheming wife, Asaji, presses him to speed up the rest of the spirit's prophecy by murdering his lord and usurping his place. Director Akira Kurosawa's resetting of William Shakespeare's "Macbeth" in feudal Japan is one of his most acclaimed films.

Director

Akira Kurosawa

Top Billed Cast

Hiroshi Tachikawa

Kunimaru Tsuzuki

Toshirō Mifune

Toshirō Mifune

Taketoki Washizu

Takashi Shimura

Takashi Shimura

Noriyasu Odagura

Minoru Chiaki

Minoru Chiaki

Yoshiaki Miki

Akira Kubo

Akira Kubo

Yoshiteru Miki

Isuzu Yamada

Isuzu Yamada

Lady Asaji Washizu

Reviews

CinemaSerf

CinemaSerf

4/20/2023

7/10

I think that this is a superb tragi-adventure story that stands out well amongst the numerous loose adaptations of Shakespeare that have been made over the years. Kurosawa takes the Scottish play and gives it the "Noh" treatment that delivers an enigmatic and tautly directed rendition of a story of betrayal, power and insanity. Toshirô Mifune is magnificent as "Washizu" who after getting lost with his colleague (Minoru Chiaki) in the doleful "Spider's Web" forest is given a cryptic prophecy that one day he too is destined to rule the great "Spider's Web castle"... Initially reluctant to embark on this path, he soon becomes blinded by this ambition on the misguided advice of his wife (Isuzu Yamada) and so he sets out on a despotic path than can only end in disaster for everyone. The cast work the story well, ably aided by the eeriness of the sets and a sharp pace. It works far better, in my opinion, in monochrome - no colourful distractions from the moody cinematography of the forest nor of the castle architecture and the mobilisation of grand armies - especially in the scenes set in winter; and the general grittiness of the scenarios are easily akin to those of 11th Century Scotland. Once the delirium of the final scenes is upon us, the performances become plausible and in the end , I almost felt sorry for "Washizu". Great stuff.

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