
409
2013
By painting and scratching directly on celluloid strips and then duplicating each image for two or more frames, Brakhage produced a flickering cycle of abstract shapes that bespeak the restlessness of his own character and sensibility; the titles of the segments (which Brakhage also intended to function as freestanding films) further emphasize his rejection of collective thinking in favor of personal vision. I..., proposes an unstable image of the self with its centerless collisions of diverse imagery. Small black shapes are superimposed over diffuse colors, and each moment seems to consume and obliterate the last in an emotionally charged rush that suggests a consciousness terrified of stasis and perpetually seeking renewal.
Stan Brakhage
2013
1967
2021
1971
1939
2019
1967
1989
2021
1969
2021
2024
2015
2021
2012
2017
1965
2019
1934
2018