It's probably best to start by saying that this adaptation of the Agatha Christie novel has virtually nothing at all in common with the 1978 Ustinov/Niven iteration (which I really like). Sir Kenneth Branagh starts off by giving us a little of the somewhat tragic WWI backstory to the famous Belgian detective before we are introduced to the newlywed "Doyle" couple Gal Gadot and Armie Hammer, his disgruntled ex girlfriend "Jackie" (Emma Mackey - whom I could have sworn was Margot Robbie) and an assembled cast aboard the luxury Nile paddle steamer "Karnak" where murder and mayhem ensue. A great deal of care has been taken with this production, and it looks great. That said, though, I found the characterisations pretty sterile; there are stars here but not (Annette Bening notwithstanding) big stars, and we get to know little of the personalities or grudges of the suspects. Tom Bateman reprises his role as "Book" from Sir Kenneth's other, equally flawed, "Poirot" outing back in 2017, but that stretches coincidence just a bit too much! There is little, if any humour, and though I did initially enjoy the 1930s Blues music it started to intrude a bit as the film progressed. Patrick Doyle's rather bland score reminded me of "Kingdom of Heaven" (2005) and though there is a fair degree of location photography, there is an equally fair degree of pretty obvious CGI too. Somehow, Sir Kenneth just isn't "Poirot" for me. His performances are always just a little bit too theatrical - he always has to be centre stage. The whole pace of the film really does lack any accumulating sense of menace and though it is certainly better seeing it on a big screen, I was really somewhat underwhelmed.

From a technical standpoint it's not bad and does feature a good cast and fine performances, but it's also rather predictable (kind of called the twist early on) and it's fairly slow to the point it I was losing interest (even though it's less than two hours long sans credits). Only glad I watched this for free on HBO Max as this was a one-time viewing for me (as was Branagh's Murder on the Orient Express, which I found only mildly entertaining but also overlong). **2.75/5**

**For a movie with death in the title, it takes way too long for the mystery to begin. Bore on the Nile.** Death on the Nile waits almost an hour into the movie before there is an actual death... a murder mystery that is focused much more on the shallow lives of its wealthy aristocrats rather than solving the murder mystery. The mystery is fairly stereotypical and easy to figure out. The film is dreadfully slow, making the 2 hour run time feel more like 3 hours. If you enjoyed Murder on the Orient Express, you would probably enjoy the expanded characterization of Kenneth Branagh's Hercule Poirot amidst the spectacular set pieces and wardrobe of the 1930s. Mix in superstar Gal Gadot and some other up-and-coming talented actors and Death on the Nile rises from absolute bore to tolerable. _As a total bonus - Kenneth Branagh's mustache in this movie is a work of art in and of itself! That thing is amazing!_

One of my favorite actors Gal Gadot, but this movie was really disappointing. The graphics were amazing, was really lovely to see Egypt like that. But again, no substitue for not having a good story. They tried to convolute the plot with so many twists it just got rediculous and the ending was so "been there done that" (no spoilers). The 1980's one I watched, with Carey Fisher was better.