El mégano
1955
Leonardi's film about the Living Theatre is less concerned with a straight documentary presentation of the exile theatre group from New York, but rather is concerned with the specific atmospheric factor which is indicated by their name, and which constitutes the highly suggestive effect of their playing. Cutting, for Leonardi, is the most decisive aesthetic device. The result is a wonderfully composed furioso of pictures. The hand-held camera catches rehearsals, conversations without sound, bits of theatre and daily life actions (which, for Living Theatre people, is very often intermixed).
Alfredo Leonardi
Self
Self
1955
1990
1895
1999
1921
1991
1957
1923
2015
2004
2004
1994
2012
2019
1963
2017
2024
1992
2002
2011