Interesting and hearty story, which helps <em>'Hillbilly Elegy'</em> overcome the fact it probably isn't that great a film as a whole. I enjoyed watching the cast. Gabriel Basso gives a good performance in the role of J. D. Vance, though is outshone by Owen Asztalos; who plays the younger version of Vance. Elsewhere, star names Amy Adams and Glenn Close support strongly. Freida Pinto is even involved, albeit in a minor and largely unimportant part. I don't love the way the story is told, or some of the elements it tries to force through. I did find myself caring for the lead character though, as well as feeling suitably invested in seeing the plot unfold. There's a nice score in there, also. I'd say it's a good film, nothing more or less.

This is another entry in the wrenching genre of Oprah book club family dysfunction fare. The dysfunction extends through two generations here, plenty of material to mine for lousy parenting and distressing reality show-worthy bad behavior. It is well done I suppose, as you would expect from Ron Howard, but I confess I have a low threshold for this genre and had to force myself to finish it. One bright light was that at least the brother and sister were there fir each other and counterbalanced the antics of Mom and Mamaw. They show the real people at the end of the film, and I was intrigued by how close they tried to have the actors resemble them. But of course the home movies shown were all of positive moments in the family, as filming life’s awful moments blossomed much later with YouTube. So these cheerful videos acted to gloss over the pain and dysfunction the movie had worked so meticulously to represent throughout the two hour film.