Arch-foodie "Tyler" (Nicholas Hoult) and his girlfriend "Margot" (Anya Taylor-Joy) are off to dine in a restaurant without parallel. Based on an island of just twelve acres, they join a collection of wealthy and influential people for what has been defined as experience to die for! Upon arrival, we discover that "Margot" was not the originally intended guest of her companion - so first question... Who is she? Next question - why does it seem to matter so much to the fastidious and frankly rather menacing chef "Slowik" (Ralph Fiennes) and his assistant "Elsa" (Hong Chau) who looks like she used "Rosa Klebb" as a role model? As the dinner progresses it becomes quite clear that the menu is not just about the exquisitely prepared and presented food, but is also about an appraisal of the individually selected - and none too savoury - staff and clientele, none of who are quite what they seem! This has something of Agatha Christie's "Ten Little Indians" to it, and it quite effectively pokes fun at the supercilious and frequently rather pompous attitude of both those cooking and those eating (or experiencing) fine foam dining. That humour is dark and potent, too. Fiennes is entirely convincing and Hoult, as well as Janet McTeer as the self-important food critic "Lillian" and Paul Adelstein as her suitably obsequious companion "Ted" contribute well as the sense of the ridiculous evolves into one considerably more perilous. It could have evolved just a bit more quickly for me - there are certainly enough "get on with it" moments and though ATJ's character is feisty, it doesn't quite work and ultimately served to illustrate the increasing implausibility of the story and unlikely servility of the diners as we head towards an almost Vernean denouement. It is quirkily entertaining this - a well presented, multi-layered, attack on our own senses that is better second time around. Not perfect, but I suspect Michelin would love it.

**The Menu began with a tone and tension that made me want more but ultimately ended with confusion and disappointment.** The hype for The Menu intrigued me. The reviews celebrated its genius. So I had to see it. And when I sat in the theater and the credits began to roll, all o could say was, "Huh?" The Menu starts with Ready or Not vibes with a fish-out-of-water real-world character who ends up at a fancy dinner with a collection of high society foodies and critics. The trailer gave me expectations of cannibalism cult or Most Dangerous Game-type plots, but instead, nothing really happened. I think I understood what The Menu was trying to convey with its deeper meaning, but I still came up disappointed. Anya Taylor-Joy and the rest of the cast gave great performances, but there was little that really brought the movie together. Maybe the subversion of the cannibal or hunting expectation was the movie's brilliance? The Menu definitely tried to be clever, but whether it was or not might be open to interpretation. Ironically, I sat through the whole movie and left wanting more… left hungry.

_The Menu_ was one of the most unique thriller experiences of the year! The setup is fantastic, and the story gives you just enough information to intrigue even though the story path is somewhat generic. It is dark, honest, and quite hilarious. This unique blend created a thriller like no other. The performances were great. Anya Taylor-Joy was brilliant and is cementing herself as one of the best actresses of the decade. Nicholas Hoult was hilarious in such a subtle way that never takes away from the tense scenes at play. Ralph Fiennes is haunting but also sympathetic, making him a very interesting and genuine antagonist. This was such an amazing film and another smash entry into horror palooza that is 2022. **Score:** _86%_ | **Verdict:** _Excellent_

"You, Margot from Nebraska (Anya Taylor-Joy), you've betrayed our sacred bond of trust. And you've shown your craft to be careless. I was wrong. You're an eater. You're a taker. You're very hard to look at. And you're no Julia Roberts."

> **Jim Jones; Executive Chef** Going to a once-in-a-lifetime tasting at a restaurant headed by one of (if not _the_) most renowned chefs in the world sounds like a dream come true to any foodie. (Myself included, albeit vicariously via the Food Network) Two of these lucky guests are Tyler (played by **Nicholas Hoult**), and Margot (played by **Anya Taylor-Joy**). The issue is, something is already not right. No, it's not obvious; at least not to normal people like you and me. Elsa (played by **Hong Chau**) picked up on it, but she isn't like us. As more and more guest arrive, someone isn't supposed to be there... Ah, don't worry, the feeling will pass. After all, the tasting is just about to start... This is when we meet the executive chef, Chef Slowik (brilliantly played by **Ralph Fiennes**). At first he is charismatic and prepares his guest for each tasting with stories. But this little cult like bigrade eventually let on that they know more about their guests than anyone should... That is except for one. As someone who is enamored with the food world, seeing The Menu satire some of my favorite shows: * Netflix's Chef's Table with the course spotlight cinematography and ingredients cards. * Any Celebrity Chef (i.e. Chef Slowik calling someone a 'donkey', clearly a reference to Gordon Ramsey). ...I was delighted that this film leaned into the dark end of how service work can feel sometimes. This film feels cathartic having lived the life of a service worker, and I feel others who have had that experience should be able to connect to the darker parts of the film as well. The plot culminate in a theme that I think despite what mild morbidity was displayed, most watchers can relate; Be it society's expectations or our own, the more we push toward perceived greatness we run away from that childhood excitement that set up on the path to begin with. The Menu as a whole, is, well... Something you might hear at an actual tasting: A story of life, it's memories (good and bad) told in 5 courses. If you're part of the menu, you deserve to stay until the end... That is, unless your not supposed to be here; perhaps life hasn't beaten you down enough yet... In-any-case, there is always the _cool aid_.

This was my actual last straw with IMDb... I guess you have to like this one or else. And by that I mean they are purging all the bad reviews. So, this is a movie about pretentious people, for pretentious people, that are killed by pretentious people so they can walk away feeling deep. From the start you know what is going to happen, because it's basically the same thing that always happens on ominous deserted islands... and the "they eat the diners" thing was removed because one of the couples were regular diners there. It sort of gives you only one plot direction made clear by the fanaticism of the cult of cooks. So there wasn't any guess work that needed to be done, and from the start you knew which character was going to live because the broadcast that with a giant arrow pointing down at them. But, hey, it's the modern audiance, nothing can be subtle today.

Late to the party with this one! Probably a party to avoid anyway... <em>'The Menu'</em> is a film deserving of hype. It's very good, with some strong storytelling and excellent cast showings. Anya Taylor-Joy continues to be a very reliable actress, yet to dislike a performance from her. Ralph Fiennes, meanwhile, feels perfect for the role of Chef. Hong Chau sticks out too, while it was good to see Paul Adelstein act again - not seen him in anything since <em>'Prison Break'</em>, well aside from a bit part in his (underrated) <em>'Imposters'</em> show. The movie sets an nice tone, it isn't all that unpredictable (though is in a few moments, tbf) but still manages to build good tension throughout. As someone who hadn't seen either but has now at least seen one of them, up until recently I thought this and <em>'The Bear'</em> were the same thing; based on a few glimpses I got of each poster. How interesting that they released so close to each other, even the (great) <em>'Boiling Point'</em> feature film with Stephen Graham basically came out in 2022 too. Year of the kitchen.

The Menu starts with an intriguing idea, but don't get your hopes up—it becomes painfully predictable almost right out of the gate. You can see the ending coming from a mile away, and those so-called "twists"? Yeah, they land with all the excitement of a damp napkin. The only saving grace is the fantastic cast—Anna Taylor-Joy, Ralph Fiennes, and Nicholas Hoult—though even they seem to be phoning it in. It's honestly tragic how little they're given to work with. The film's popularity must be riding entirely on their star power, because of the plot? Let's just say it doesn't bring anything fresh to the table. Overall, it's a real letdown, especially with wasted talent like that, leaving a disappointing impact.

The Menu starts with an intriguing idea, but don't get your hopes up—it becomes painfully predictable almost right out of the gate. You can see the ending coming from a mile away, and those so-called "twists"? Yeah, they land with all the excitement of a damp napkin. The only saving grace is the fantastic cast—Anna Taylor-Joy, Ralph Fiennes, and Nicholas Hoult—though even they seem to be phoning it in. It's honestly tragic how little they're given to work with. The film's popularity must be riding entirely on their star power, because of the plot? Let's just say it doesn't bring anything fresh to the table. Overall, it's a real letdown, especially with wasted talent like that, leaving a disappointing impact.