White Mischief

White Mischief

22/4/1988 1h 47m 6.0/10

Overview

A millionaire past his prime and his young wife arrive in Kenya circa 1940 to find that the other affluent British expatriates are living large as the homefront gears up for war. They are busy swapping partners, doing drugs, and attending lavish parties and horse races. She begins a torrid affair with one of the bon vivants, and her husband finds out and confronts them. The husband and wife decide to break up peacefully, but the bon vivant is murdered and all the evidence points to the husband.

Director

Michael Radford

Top Billed Cast

Charles Dance

Charles Dance

Josslyn Hay

John Hurt

John Hurt

Gilbert Colville

Greta Scacchi

Greta Scacchi

Diana, Lady Broughton

Sarah Miles

Sarah Miles

Alice de Janzé

Trevor Howard

Trevor Howard

Jack Soames

Joss Ackland

Joss Ackland

'Jock' Delves Broughton

Reviews

CinemaSerf

CinemaSerf

11/2/2023

6/10

"Alice" (Sarah Miles) moves to colonial Kenya with her elderly husband "Jock" (Joss Ackland) and soon she is enjoying the social whirl that is their unfettered lifestyle. She falls in easily with the great and the good - even befriending the all-but-mute "Colvile" (John Hurt) but it's not that dalliance that worries her husband, though. It's one with the debonaire Earl of Erroll (Charles Dance) and soon a rather embarrassing/cuckolding menage à trois gradually emerges. When the latter man is found brutally slaughtered, a court case ensues but will it convict the culprit? It's speculatively based on real events and the photography is stunning, as is the general aesthetic of the drama. The film itself, though, is all rather underwhelming. A solid cast of British stage and screen actors cannot turn the really pedestrian screenplay into anything that remotely depicts the complex, hedonistic and entitled lives these people lived amidst the abject poverty of the local population. I reckon Joss Ackland is the only one who emerges with any credit here - and that's largely because he has probably the better part, especially as the plot thickens - but as for the rest of this, it's all just a disappointing critique on spoiled people, drug abuse and over-indulgence that I found a bit too sterile.

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