Based on a real character from the murkier side of quite recent Vatican operations, Russell Crowe dons his cassock and travels to a remote abbey in Spain where his meets with "Fr. Esquibel" (Daniel Zovatto). Why? Well it seems that a young boy is being possessed by a singularly nasty demon. Now Fr. Amorth is not unused to these scenarios and is also aware that the vast majority of these situations have nothing to do with satanic practices and more to do with mental health issues. Quickly, though, he realises that this is a serious and potentially deadly demonisation and both he and his colleague must discover what went on at this place and just who their violent foe is, before they can have any hope of casting it back into the shadows. That's the plot, and to be fair Crowe actually plays his character with a bit of charisma, but the rest of this is the same old loudly scored, visual effects feast with plenty of routine dramatic scenes: screaming, eye-popping, ceiling climbing, bodies and holy water thrown about the place and this one even has a bit of the Spanish Inquisition thrown in for added authenticity. It's not that is terrible - it isn't; it is just all so very derivative. Just because the exorcist was real doesn't actually make this film any different from an whole spate of other similar films that have the same beginning, middle, and end... It will do fine on the television around Halloween, but the cinema adds little to the presentation. It's nice to see that Franco Nero is still making films, but otherwise this is adequate, but nothing more.

Its actually a great movie like it trun into a bit dark one in the end

I was pleasantly surprised at how much I enjoyed The Pope's Exorcist. After initially seeing the trailers, I wrote this movie off as a standard possession film that I have seen time and time again, and while most of that is still true, there is something about this film that made it a joy to watch. The film does not attempt to do anything particularly new or groundbreaking in the genre, but everything it has is handled with care and precision. The direction is fantastic, with a very quick pace that makes each scene have a sense of urgency as our characters attempt to perform the exorcism. There is particularly deep lore that is established within the church structure, with different factions and politics at play that add a slightly different dimension rather than just your run-of-the-mill "insert random priest here." My favorite aspect of the film is the acting. I think all of the adult characters do a tremendous job here. Russell Crowe kills it in every scene he is in and definitely gives an entirely different take on the exorcist character. Where most are intensely serious and melodramatic, Crowe adds a bit of whimsicalness and youth to the character that creates a calming presence to every intense scene. His rapport with Daniel Zovatto is excellent. The two really play off each other well and carried the film in many ways. Alex Essoe was great, although underutilized. The two children were okay. The boy gave a very stereotypical portrayal of a possessed child, and the daughter was flat in many ways. My only complaint about the entire film is its lack of originality and the story. Every single beat is something that we have seen before; there were no new or fresh ideas that were interjected into the story. The tension was fine, but nothing was particularly scary. Overall, if not for the film's fantastic director and cast, it would have been a bomb. Score: 63% 👍 Verdict: Decent