After Guy Ritchie’s last film, Operation Fortune: Ruse de Guerre, was an absolute disaster, I seriously considered skipping his most recent outing, The Covenant. However, I'm very happy I didn't because it's become one of my favorite films of the year so far. The direction is excellent, with amazing up-close shots and zooms that really add to the intense nature of the film. The first hour flew by with fantastic build-up and character development. The action was superb and brutally realistic, showcasing the true horrors of the War in Afghanistan in a respectable way. However, after this first act, the movie does slow down a bit, with a pretty substantial lull that lasted about 20 minutes in the middle of the film. It was not terrible, but something I definitely noticed. Performances were excellent, particularly from Dar Salim, who was a standout in the film. His grueling journey across the Afghanistan terrain was one of the most stressful and inspiring segments in any film so far this year and had me at the edge of my seat. Overall, The Covenant is a pretty straightforward war story, told with excellent direction, performances, and visuals. It handles the source material with incredible care, showcasing the environment of Afghanistan in a way I have never seen before. Score: 85% ✅ Verdict: Great

A staggering tale of an unhinged perseverance which is backed by a captivating screenplay. Air is a story so frivolous and flat , that the courage of Ben Affleck should be lauded with our hats down. A simple plot which would fit within 3 lines of a page is magically presented to us as a fascinating and appealing peace of history which changed the strature of business in sports in America and revolutionized a global culture, Nike's collaboration with the greatest basketball player in the history of the game, "Michael Jordan". The 2 hours doesn't feel long when you have a dazzling screenplay & a marvelous ensemble cast with their pragmatic conversations. Ben Affleck really puts in a fine effort to yield such sensational performances for the star studded cast. Brilliant is an understatement for the ensemble cast. I have never seen a better grounded performance of Matt Damon than this. He is sensational. Jason Bateman and Viola Davis add the much needed spark with their magnetic performances. Good to see Chris Tucker back and boy he just gets his sense of humor right each time. The banters between Matt and Chris Messina is the highlight for me. Ben Affleck is a master in terms of direction, the way he manages veterans into building such a collaboration is astounding. Overall, If you believe in uplifting stories behind sports and redefining moments of history which changed the world we live in today then Air is a great addition to your watchlist. Instagram @streamgenx

Seems to be a growing trend nowadays to lead with the credentials of the director in order to get eyeballs onto a movie. That's what seems to have happened here, but once you're watching it turns out to be little better than a derivative vehicle for an unremarkable Jake Gyllenhaal who gets to tug at the heart strings on behalf of those vital interpreters (50,000 of them, apparently) who were abandoned to the Taliban when the allied forces quit Afghanistan. In this rather procedural effort, his guide "Ahmed" (Dar Salim) goes above and beyond to rescue his handler "Kinley" from ambush only to find that the American is flown home to safety, recuperation and a big steak on the barbecue. The latter man is left to reap the benefits of his sterling efforts by having a price on his head and so is forced to live in hiding. "Kinley" learns of this and decides that the man must be got out. After endless red tape seems determined to ensure that the promise made at the time to these folks to offer them fast-track American visas after the conflict was not going to be honoured any time soon, "KInley" decides he's going to have to take matters into his own hands. Remarkably, from his American home he manages to track down the elusive "Ahmed" and with the aid of a commercial extraction agency, funds a trip to get in and get his friend out. Aside from some serious plot plausibility issues, as action films go it's fine. The cinematography and pace work well to give us a sense of the danger and the relentlessness (and stealth) of the warfare that frequently nullifies the superior firepower of the visitors when faced with hostile terrain and efficient guerrilla warriors. Gyllenhaal does nothing for me here, though. He's just going through the motions, especially when required to actually act. He has become a rather one-dimensional performer (maybe it's the beard?) and though there is merit in Salim's performance as his character is allowed to mature a little by Guy Ritchie, I just felt that I'd seen the film before and the underpinning moralisation was largely undermined by the predictability of the storyline. It's certainly watchable, but it isn't hard to see why it never got a cinema release.