Nikita

Nikita

1/4/1991 1h 57m 7.1/10

Overview

A beautiful felon, sentenced to life in prison for the murder of a policeman, is given a second chance – as a secret political assassin controlled by the government.

Director

Luc Besson

Top Billed Cast

Jean Reno

Jean Reno

Victor, the Cleaner

Anne Parillaud

Anne Parillaud

Nikita

Marc Duret

Marc Duret

Rico

Tchéky Karyo

Tchéky Karyo

Bob

Jeanne Moreau

Jeanne Moreau

Armande

Jean-Hugues Anglade

Jean-Hugues Anglade

Marco

Reviews

Filipe Manuel Neto

Filipe Manuel Neto

10/6/2023

7/10

**One of the most striking films in Luc Besson's work.** This is perhaps one of the most iconic films in the cinematographic work of Luc Besson, who is one of those directors who are hardly consensual or pleases everyone, but has an undeniable talent. The story revolves around a rebellious girl who becomes involved in a crime and the death of a police officer. Arrested, she seems completely out of control, is violent and seems to hate everyone who speaks to her. What happens next is perhaps the most poorly explained twist in the entire film: someone has the idea of faking her death in prison and taking her, against her will, to a spy training center run by the French government. Between a rock and a hard place, she has no option but to become a highly trained assassin. The film is quite good, if we exclude the first half hour, which is quite surreal and in which the events are very underwritten. Luc Besson, who directed and wrote the script, is very good, but he didn't know how to put that young woman in a situation where she actually had to become a professional spy. Besides, why her? What was so special about her that she was forcibly selected for something so sensitive and where cold blood is so essential? In any case, from the moment he does this, the film runs smoothly and glides effortlessly until the end. Anne Parillaud is good enough for the role and gives it what she needed, but she is not at all an attractive or sensual woman, as the film tries to sell, showing her with barely any clothes on whenever she can. Jean Reno does a very good job, although short, which seems like a rehearsal for what the actor will do later, in “Léon”. Marc Duret and Patrick Fontana gave life to the two main actors in a very correct and committed way. On a technical level, I would highlight the effects, discreet but effective, and the choice of sets and filming locations. Personally, I hated the soundtrack, but that was a problem in other Besson films, not just this one. It seems that the director has a particular taste for soundtracks that seem to be taken from cheap erotic films.

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