**This is a two-man job!** Unlike the first two films, this was not based on the book. Instead, it is an original screenplay that fills the gap between the second and the third book. So reading the third book before watching this film is a spoiler. Most importantly the fourth film is on, only officially have to be announced. The original director returned to this, but I appreciate the story and the screenplay and people behind it. I did not think this sequel would work, but it exceeded my expectation. A simple story and very familiar settings, but developed so well. There's no Bridget's diary in this, instead an iPad. Renee Zellweger was totally unrecognisable. Actually, I said that in my 'The Whole Truth' review. But she was good to return as Bridget. Colin Firth looks too older than his actual age, but was great in his part. No Hugh Grant, but a new competitor was introduced which is none other than Patrick Dempsey. This is not the same kind of narration that we saw a decade ago. Because all the characters are aged, so according to the situation this story takes place. It's a two hour long film, but it had some good jokes. Those who enjoyed the first two would surely enjoy it as well. So choosing it to watch is not a bad idea. _7/10_

<em>'Bridget Jones’s Baby'</em> is a good sequel, a much better movie than the 2004 follow-up without a doubt. This one has an actual plot, for one, and is a much more rounded effort - the ending is rather cute too. Despite being the longest entry of the trilogy, this is paced well. Renée Zellweger and Colin Firth reprise well, while Patrick Dempsey is a good addition. The films merges the new characters with the old (minus one obvious absentee) positively, e.g. Sarah Solemani is one of the better supports from any of the three flicks. The musician cameo is amusing too. You have to wonder where they are going to go with 2025's <em>'Bridget Jones: Mad About the Boy'</em>, kinda mad they've managed to create four of these to be honest - two (one?) would've sufficed. Still, this 2016 release is, all in all, a good one; if still narrowly shy of the original, naturally.